A few quick reviews

Sorry about the lack of posts, but between being flat out at work and flat out at home organising my wedding (I'm getting married in November), I simply haven't had any time. I will try to find time to post something now and then to show that I'm still alive.

This is just a quick post to let you know about a couple of albums that I have been listening to quite a bit lately. In both cases I enjoyed them when I first purchased them, but on the last few listens they suddenly "hit" me. That's a great feeling :)

Guided By Voices - Bee Thousand

I talked about this band and album in one of my best of 2004 posts, as GBV were one of my great discoveries of the year. Like the Replacements, their albums are predominantly patchy affairs. But unlike the Replacements, they released a definitive statement, a masterpiece where all cylinders were firing and they didn't put a step wrong. And this is that album.

It takes an open mind to warm to this album. First thing you need to forget about is the natural human response to be put off by a poor quality recording. You need to learn to appreciate a song on its own merits and not by how it's been recorded. Think you can do that? Then you are ready for this album.

You've probably heard the term lo-fi bandied around the indie press, but this album truly defined the lo-fi "genre" (if you can call it that). While some bands add fuzz to their music in an attempt to give them some rough and unpolished credibility, these guys literally recorded this album on 4-track tape in their basement. And just like Rockette Morton of Captain Beefheart's Magic Band was "fuelled by beans" on their freak-out album Trout Mask Replica, Bob Pollard and the boys were fuelled on beer during the making of Bee Thousand. And lots of it. There's a reason why many of their fans affectionately called them Guided By Beer.

This album consists of 20 tracks, and beneath all the fuzz and tape hiss lies a charming set of melodies and fantastic songwriting that gets under your skin (in the best way possible). Some of the songs only last for a minute, but they cram more hooks and melodies into that minute than most bands can muster in an album. 16 of the 20 tracks are sung by frontman Bob Pollard, but guitarist Tobin Sprout contributes vocals to 4 of the tracks and they are some of the best tracks on the album (Awful bliss being my personal favourite).

This album was released in 1994, but its melodic spirit lives in 1968. If you were always a believer that the White Album was the best Beatles album, this is the unheard 3rd disc. Yes, the tracks on this album are that good. When this album hits you, you won't know how you lived without these songs in your life.

The Wedding Present - Seamonsters

I have to thank album reviewer Adrian Denning, whose excellent review convinced me to buy this album. If you are a Smiths fan, but always wished that they were a bit louder, then this is the album for you.

Frontman David Gedge's vocals, like those of Morrissey, are definitely an aquired taste. But I've always preferred vocals that are a bit "different", and Gedge's vocals add a real emotional and unique element to these songs. Credit must also be given to producer Steve Albini (who has worked with Nirvana, PJ Harvey and countless others) for his amazing production, which adds an eerie and understated quality to these songs, raising the vibe ante to the max. Just check out opening cut Dalliance, when it suddenly goes from a medium paced rock song to a distorted freakout. Amazing stuff.

You need patience with this album. It didn't hit me as being brilliant until I'd given it close to 10 listens. Some songs are more immediate on the first listen, while others creep up on you. But they will grow on you, so please give it a chance. A highly underrated gem of an album.

Downloads

Guided By Voices - Awful bliss [Link Removed]
Guided By Voices - Echos myron [Link Removed]
Guided By Voices - Queen of cans and jars [Link Removed]

The Wedding Present - Dalliance [Link Removed]
The Wedding Present - Dare [Link Removed]
The Wedding Present - Heather [Link Removed]

UPDATE: Song links removed.

RIP: Arthur Lee 1945-2006

Arthur Lee, of seminal 60's band Love, died on August 3rd of acute myeloid leukemia.

The core Love lineup released 4 albums from 1966 to 1979 - Love (1966), Da Capo (1967), Forever Changes (1967) and Four Sail (1969). The most critically acclaimed of these albums, Forever Changes, is rightly lauded as a lost classic and one of the greatest albums of all time.

Unlike many other highly acclaimed albums of the era, it has aged remarkably well and I agree that it is a brilliant album which deserves to be mentioned in the same breath as Sgt. Pepper's Lonely Hearts Club Band by the Beatles, Pet Sounds by the Beach Boys and Odessey and Oracle by the Zombies. It definitely has the sound of the psychedelic 60's but there's a dark undercurrent to songs like The red telephone and You set the scene which give it a timeless eerie quality as well.

Unfortunately, Forever changes never gave Love the commercial or chart success which they clearly deserved. But we all know that talent and commercial success are often mutually exclusive.

Rest in peace, Arthur. Your contribution to popular music will live on forever.

Downloads

Love - The red telephone [Link Removed]
Love - You set the scene [Link Removed]

UPDATE: Song links removed.

RocKwiz DVD launch!

Last night Pete, Dean and myself went to the RocKwiz DVD launch, a party which was held in the Gershwin Room at the Espy. It was all a bit mysterious; the invites were only for ex-contestants and they clearly stated that it was an "invite only" event, and that we couldn't even bring anyone along. There was a lot of speculation before hand - was there going to be a free bar tab? Were they going to do any filming? Were we going to be able to mingle with the celebrities?

[Sidebar: See previous posts about Pete and Dean's appearance, and my appearance on RocKwiz.]

When we arrived and Pete offered to buy the first round, it became clear that at least one of these speculations was true. There was a free bar tab, and suddenly I regretted driving. There was also free finger food; suddenly we regretted buying that kebab we had only eaten 15 minutes ago.

After a few quiet drinks, a few nibbles, and a quick chat with Brian Nankervis, we were led to the front of the Gershwin room where Brian and hostess Julia Zemiro gave a spiel about the success of the show, and about the RocKwiz DVD which was about to be launched nationwide. Shortly afterwards they drew a raffle (we were all given tickets as we entered the Gershwin room); Dean was one of the lucky three who won a RocKwiz backpack, which included a copy of said DVD, a RocKwiz duets CD, a T-shirt, stubbie holder, alcohol of some sort, badge and playing cards.

Then there were some more speakers: the head of programming at the SBS (whose name escapes me) talked a bit about the show, and Mushroom boss Michael Gudinski talked a bit about the Australian music scene in general. This was followed by a live performance of the Johnny Cash hit Jackson by Vika Bull (from Vika & Linda and Black Sorrows) and Dave Larkin (from Dallas Crane); and a performance of the Tom Petty/Stevie Nicks hit Stop draggin' my heart around by the legendary Tim Rogers (from You Am I) and Rebecca Barnard (from Rebecca's Empire). Then the four of them got together and did a nice cover of the Byrds hit So you want to be a rock 'n' roll star.

Tim Rogers in action
[Photo courtesy of MarkG]

After a bit more chit chat from Brian and Julia (and a sneak preview of the DVD on the big screen), the formalities of the night were over. And this is where the night started to get interesting...

Pete, Dean and I (together with MarkG, the husband of a work colleague who was also on the show) decided to mingle a little bit with the celebrities who were there and get some happy snaps.

[Warning: Lots of name-dropping ahead.]

L-R:Me, Tim Rogers, Pete, Dean.
This photo was taken shortly before Dean asked Tim the meaning behind one of his songs, at which point Tim told him that it was about his ex-wife. Dean was a bit apologetic at this point, and Tim told him it was cool and gave Dean a kiss on the neck to let him know that there were no hard feelings.
[Photo courtesy of Pete]



L-R: Mark, Tim, Rebecca Barnard, Me.
As seen from the photo, Tim was clearly inebriated at this point of the night.
Mark: "You're excited? Feel these nipples!"
Me: "I'll have what he's having"
[Photo courtesy of MarkG]



Rebecca Barnard looking at one of the photos on Pete's camera.
Tim: "Hey baby!"
Pete: "Somebody...please pinch me"
[Photo courtesy of MarkG]



Me with my old RocKwiz teammate Ross Wilson (of Daddy Cool fame).
Yes, this is the same guy who sung the Aussie rock classic Eagle rock.
Me: "I can't wait to post this on my blog!"
Ross: "I've come to clean your pool..."
[Photo courtesy of Pete]



Dean with his old RocKwiz teammate Linda Bull (of Vika & Linda and Black Sorrows fame).
Dean: "I knew I shouldn't have had the garlic sauce in my souvlaki before..."
[Photo courtesy of Pete]

Unfortunately, Pete's old teammate Glenn Tilbrook didn't make the trek from the UK to come to the DVD launch. So Pete missed out on his team reunion.

The three of us with Julia Zemiro, the hostess with the most-ess.
Julia: "Get these weirdos away from me"
[Photo courtesy of Pete]

We left shortly after, playing the You Am I classic Hourly, daily on the way back home. We were all on a bit of a high from the great night (although Dean and Pete's high may have been more alcohol-induced than mine :)

What a night!

I am the walrus...goo goo goo joob

Here's the infamous Abbey Road cover by a little known band called The Beatles:



And here is yours truly at the very same pedestrian crossing:



Note that I am wearing shoes in the photograph, so there is no need to worry loyal readers; I am not dead. Here's me sitting on the steps of Abbey Road Studios:



Here's a house which I was told was Paul McCartney's old house -- at 9 Cavendish Avenue, St. Johns Wood (5 minute walk from Abbey Road)...



...and then when I got home and googled for the address, I discovered that he lived at 7 Cavendish Avenue. So I have a nice shot of his old neighbour's house :)

Finally, here's the rooftop in Savile Row where the Beatles did their infamous "rooftop concert" in 1970 (also the apparent location of the final gig by the Be Sharps):



All sacred sites for big Beatles fans like myself (well, except Macca's next door neighbour...but you can forgive me for that one).

RIP: Syd Barrett 1946-2006

Syd Barrett 1946-2006

I arrived at work yesterday to the news that Syd Barrett, founding member of Pink Floyd, died at the age of 60.

Syd only played on their first 2 albums, Piper at the gates of dawn and Saucerful of secrets. His songs had a very different sound to the space-rock which Pink Floyd were most known for on mega-popular albums like Dark side of the moon and The wall, having a much more whimsical element to them. His sound was largely influenced by his experimentation with LSD, the use of which led to him leaving the band after their 2nd album, and eventually to his isolation from the world in the early 70's due to mental illness. The 1975 Pink Floyd album Wish you for here contained the 10-part epic Shine on you crazy diamond, which was apparently a tribute to Syd. A common story states that an overweight and hard-to-recognise Syd actually appeared in the studio during the Wish you were here sessions, only adding to his mystique.

I'm not going to be one of those bandwagon jumpers who says that I've been a huge fan of his just because he died; the truth is, I'm not. I only have 2 albums which he contributed to: the aforementioned Piper at the gates of dawn, and his solo debut album from 1970 The madcap laughs. While his songs on Piper definitely add a unique element to the Floyd sound, I can't say it's the kind of stuff which warrants repeat listens for me. And his solo album has its charm, but it's also incredibly dated. I'd much rather give Dark side of the moon or Meddle a listen over any of those albums.

There's no doubt he has had a lot of devoted fans over the years, and his music has influenced countless musicians. Rest in peace, Syd.

Downloads

Pink Floyd - Scarecrow [Link Removed]
Syd Barrett - Octopus [Link Removed]

UPDATE: Song links removed.

Split Enz gig [11th June 2006 @ Rod Laver Arena]

Kiwi legends Split Enz formed in 1972, had a cult following in the 70's, a bit more success in the 80's, and broke up in 1985. Neil Finn (who joined the band at the time of their 1977 album Dizrythmia) and Paul Hester (who played on the last Split Enz album See 'ya round) formed Crowded House with Nick Seymour, and the rest is history. Split Enz have had various re-formations since their "official" breakup (notably for the Enzso album and its inevitable sequel in the late 90's), but this was the first time they had really toured as a unit since their heyday. Although, for a band that has had so many lineup changes over the years, using the word unit is a bit ambiguous.

The particular Enz incarnation who were touring this year were the True Colours lineup from 1980, which was their most commercially successful album: it spawned their biggest hit I got you which gave them a bit of international success. This lineup was made up of Tim Finn (guitar, keyboards, vocals), Neil Finn (guitar, piano, vocals), Noel Crombie (percussion), Malcolm Green (drums), Nigel Griggs (bass) and Eddie Rayner (keyboards).

The gig was at Rod Laver Arena, a huge stadium in Melbourne which is suited more for sporting events than intimate musical gigs. So while the gig definitely lacked intimacy (especially in contrast to the Belle & Sebastian gig the night before), they made up for it by putting on a spectacular show.

Opening with the new-wave hit Shark attack (from True colours), they played an exciting setlist which covered most of their hits, with a few rarities thrown in to satisfy the dedicated fans. The biggest surprise of the night was an epic performance of Jamboree, the closing song from their Dizrythmia. Tim Finn introduced the song as one "written by Phil Judd", who was a core member and songwriter of the earlier Enz lineup before he left after their second album; also prompting the band to abandon a lot of the art-rock sound that Judd brought to the group and opt for a more pop/new wave sound.

One of the gig highlights for me was their performance of Matinee idyll. It started out being a fairly true-to-the-original version, before Tim asked Eddie Rayner poetically "won't you please, play the bridge on the ivories?" and then left the stage. For the next few minutes, Eddie played those ivories like a man possessed, before cult favourite percussionist Noel Crombie took centre stage to play the spoon solo from The woman who loves you, the superb epic closing cut from their 2nd album Second thoughts. It was a truly memorable gig moment, and a real crowd-pleaser.

Other highlights included a great version of Pioneer / Six months in a leaky boat, and a rockier version of early single Bold as brass, preluded by a bizarre skit where a member of the audience was spanked on the bottom with a towel. They closed with a solid performance of their 1981 Corroboree hit History never repeats (one of their signature songs) before bowing to the applause of 12,000 fans who still wanted more. I'm guessing many of the more obsessive fans will be there again on Monday night, where the band will hopefully show that history does indeed repeat*.

A class act all around.

Downloads

Here's a very poor quality video from the gig. Probably not worth the download ;-)

Split Enz - I Got You [Link Removed]

And here's some choice Split Enz cuts. My Mistake is one of their more popular (early) songs sung by Tim Finn, The Devil You Know is a later-period Neil Finn song (not unlike Crowded House in sound) and The woman who loves you is a very early and experimental Tim Finn song to give you a feel for their artier sound. And it has a kickass spoon solo from Noel Crombie!

Split Enz - My Mistake [Link Removed]
Split Enz - The Devil You Know [Link Removed]
Split Enz - The Woman Who Loves You [Link Removed]

All download links will stay up for a week.

*I'm aware that The Age used a similar "history repeats" pun in the closing line of their recent review. I'd just like to make it clear that this review was in draft status long before I even read that Age review, so I wasn't ripping them off.

UPDATE: Song links removed.

Belle & Sebastian gig [10th June 2006 @ The Forum]

[Photo courtesy of Mark]

I started my recent Augie March review by saying that I'm not a big fan of the Hi-Fi Bar as a venue. Well let me start this review by saying that the Forum is one of the best venues in Melbourne, if not the best. It's so beautiful and scenic; it has high ceilings, excellent ventilation and impressive acoustics. Even if you aren't enjoying the music, you can appreciate the impressive Roman style architecture or stare up at the "perfect night sky" blue ceiling. Yes, I love this venue; it truly makes others pale in comparison.

I last saw Glaswegian band Belle & Sebastian two years ago, at the Palais Theatre in St Kilda. It was a sit-down gig, which obviously has its benefits (great for letting the legs rest) but also has some negative aspects (losing the intimacy and the "connection" with the band that you only get from standing up close). The Forum eschews ticketed standing vs. sitting segregation; instead you can gauge your mood and sit further back, or if you feel like it you can stand up and get closer to the stage. After a bit of debating in our group (Pete, Simone, Mark and myself) we decided to stand. It was a good decision.

Opening with The state I am in from their debut album Tigermilk, the band let loose on an impressive two-hour set which covered a good cross-section of their ten-year catalogue (although they notably didn't include any songs from their two least critically acclaimed albums Fold your hands child... and Storytelling). They played most of the songs from their new album The life pursuit, including current singles The blues are still blue and White collar boy, the latter of which frontman Stuart Murdoch used as an opportunity to introduce all the members of the band.

There were some surprise entries in the setlist: early (and uncharacteristic) Tigermilk cut Electronic renaissance being the biggest surprise; others from left-field included stand-alone single Dog on wheels and underrated B-side The loneliness of a middle distance runner. It was great to see the band playing some obscure fan favourites, although being such a cult band means that "obscure fan favourite" will differ widely between fans (much to the disappointment of a couple who were yelling out for My wandering days are over, but never got their wish.)

Stuart Murdoch is a very charismatic frontman, with Stevie Jackson being his loyal Peter Sellers lookalike side-kick. Stuart joked between songs and he kept the banter up with the audience, ensuring that the gig had a personal connection rather than simply a musical one. When Stuart and Stevie invited a couple of ladies on stage to be involved in the "love-triangle" of Jonathan David (or "love-trapezium" as Stevie so eloquantly put it), the whole room erupted in laughter. They are the kind of guys you would like to hang out and have a few drinks with, and it just goes to show how much more there is to a performance than the music. Their fans were also very well-behaved; although there was the smell of ganja in the air, there was a lot less of a "dickhead element" than most gigs from recent memory and there was lots of room to move (surprising considering it was a sellout gig).

They ended their first set with Judy and the dream of horses, before going off stage and coming back for their only encore. At this moment Stuart decided to jump up on the side balcony, pose for a little while with the statues (much to the cheers of the audience) before jumping down and playing a completely surprising cover of Jump by Van Halen with the rest of the band. It was one of those classic "gig moments" which sealed the already fantastic deal for me.

Here's a quick shot of Stuart in action (courtesy of Mark again):



They ended the encore set (and gig) with early classic Get me away from here, I'm dying. For the first time in ages, these were not the words I was thinking as I left the venue at the early finish time of 11pm. My love affair with live music is back on. How long will it last? Watch this space.

Downloads

Here's a short video from the gig:

Belle & Sebastian - Dog On Wheels [Link Removed]

And here's some choice Belle & Sebastian cuts:

Belle & Sebastian - Seeing Other People [Link Removed]
Belle & Sebastian - Dirty Dream Number Two [Link Removed]
Belle & Sebastian - Another Sunny Day [Link Removed]

All download links will stay up for a week.

UPDATE: Song links removed.

The "Timmy" marathon

No, I am not talking about the disabled kid from South Park. I'm talking about this dude, the lead singer of seminal Aussie act You Am I:


Every now and then, I decide to run a marathon on my iPod. This is where I put the iPod on shuffle, select an artist, and let it run through their whole discography (or as much of their discography that I have). I did this in lieu of purchasing their new album Convicts, which I will probably not be doing now after both Pete and Dean gave it their thumbs-down.

Anyway, it was an interesting experience. I'd like to share some of the observations that I had while listening to their entire discography in shuffle, as the randomization of it all made me notice things that I wouldn't normally notice if I was only listening to their albums the natural way.

My own private gig

The experience felt like my own little personal gig, although instead of it going for 2 hours, it went for a few days! And there wasn't the chance that they weren't going to play one of my favourite songs, because I'd get to hear all their songs!

Pete and I have this game which we play at gigs where we try and guess the opening and closing songs. I bet you are dying to know what the opening and closing cuts of my "gig" were. No? Well I'm going to tell you anyway. The opener was City lights from Deliverance, and the closer was One trick tony from the same album. Neither particularly seem suited for those positions in a gig.

It was getting exciting as I neared the end of the marathon, trying to work out what songs haven't been played. Some cuts were held back to late in the marathon - Berlin chair didn't make an appearance until track 77 (out of 88). Heavy heart was track 71. Good mornin' didn't play until track 83.

Hourly, Daily is da bomb

I knew this before, but this marathon simply reinforced it - Hourly, daily is a fantastic album. Every time a cut from this album came up, it brought a smile to my face -- such songwriting perfection. What's great about this album is how brilliantly it works as a whole, but even when hearing a song out of context you can appreciate it just as much. For those who aren't familiar with this album, it's a suburban concept album. You could say it's You Am I's answer to Blur's The great escape, but oh-so-much better.

The sound of Hi Fi Way

I have always considered their second album Hi Fi Way to be a slightly less polished (and rockier) version of Hourly, Daily. But hearing Hi Fi Way and their debut Sound As Ever side-by-side, I'd say that the sound of Hi Fi Way is more similar in sound to their debut. While their debut is fairly average (except for a few choice cuts like Berlin chair), Hi Fi Way ups the songwriting stakes immensely and adds some much needed melodies to the mix.

And I just gotta say that How much is enough is a brilliant song and a great closing cut on that album.

Their path down the country road

Listening to their 2002 album Deliverance, you could almost mistake You Am I for a country-rock band. While Tim has definitely recorded a lot of country music as part of his solo work (his excellent solo album What rhymes with cars and girls being the best example), this sound did seem to come a little bit out of nowhere for the band. During the marathon, I discovered that he and the band started hinting at a country sound a lot earlier than Deliverance. Give another listen to the twang in Timmy's voice in End of the line (from Dress me slowly) and you will hear what I mean.

Their low points

I defended Deliverance when it came out, as some of my mates were bagging it a little bit. But there's no doubt that, together with Sound as ever, it represents the low-point of their catalogue (obviously I can't comment on Convicts, because I don't have it).

Having said that, there are some hidden gems on Deliverance that sound pretty great when listened to in isolation. Notably, Ribbons and bows is vintage You Am I and some of the ballads like The wrong side now are quite beautiful songs that make the most of Timmy's ailing vocal chords.

Timmy's vocals

And that's a great segue into the next discussion point, which is sure to be a controversial one. Even the biggest Timmy defenders will find it hard to deny that his voice has definitely degraded over the years, and not in a cool Tom Waits kinda way.

While most You Am I fans will point to Deliverance as the point at which his voice started to go downhill, I'd like to offer an alternate hypothesis. I think Timmy's voice started going a lot earlier, but the quality of the songwriting and the musical backing often shielded the listener from this. Exhibit A: Get up from Dress me slowly. Give a listen to this track, and try to separate his vocals from the rest of the mix. They aren't as good as they once were, are they? Luckily, it's a killer tune so you don't really care.

Change of sound over the years

I've already talked about their progression towards country-rock, now for a general overview of their evolution.

Sound as ever is generic garage rock. There's some great tunes that would hint at their future brilliance, like Berlin chair and Jaimme's got a gal. But I can honestly do without most of their debut album. Not many of the cuts gave me a what a song! feeling. And what's the deal with the penultimate track Off the field? Who is singing that song? Sure doesn't sound like Timmy.

Hi fi way really shows them carving out their niche in the Aussie rock circuit. The rockers have a purpose, ballads like Purple sneakers and Handwasher show that they have a lot more depth and that they aren't just one trick ponies. While this album has its fair share of brilliant moments, their best was yet to come.

Hourly, daily is where it all came together. The best ballads, the best rockers, classic pop songs. A suburban concept that weaved a thread throughout, making the album an experience rather than just a series of songs. This is the best place to start with the band.

They almost went back to their earlier sound on #4 record. It was definitely less polished than Hourly, daily but they also added horns here and there to make the sound a bit more interesting. It's probably their most standard rock record, with some of their most well-known songs like Heavy heart and Rumble thrown in for good measure. One thing that I really noticed in the marathon is that they are a lot of lesser known songs on this album that are really good -- Cream and the crock, Plans and Come home wit' me being some great examples.

Dress me slowly had them going back to the more polished sound of Hourly, daily. It's an incredibly solid album with one classic after another, and probably the only thing it lacks over that earlier album is flow and conceptual unity. But there's an abundance of excellent songs on this album, including some of my absolute favourites like Weeds and Damage.

Deliverance was a big step down. I've already talked a lot about this album, the one where the country sound was pushed to the front and you suddenly realised that they were quite a different band than the one you fell in love with. There are some great songs on this album, you just have to dig around to find them.

Perhaps Pete or Dean can reply with their comments on their new album Convicts, since I don't have this one.

Live shennanigans

My copy of #4 record has a bonus disc called Radio settee (Big Star fans will pick this as a tribute to their first 2 albums #1 record and Radio city). Often some of these lives cuts would show up in the mix, and there's some interesting covers on there that I hadn't noticed before. Fox on the run by 70's glam rockers The Sweet, Lookin' for a kiss by the New York Dolls and Live with me by the Rolling Stones. I actually have the New York Dolls album that has the original version of Lookin' for a kiss, so it was interesting to hear the You Am I version which I couldn't even remember existed.

It's all in the mix

The iPod has this feature called smart shuffle which is supposed to prevent tracks from the same album being played after each other when the iPod is in shuffle mode. After doing this marathon, I can honestly say that this shuffle ain't so smart.

Here's several examples where 3 tracks in a row came from the same album:

Trike, Junk and Fox on the run (all from Radio Settee)
Mr milk, Moon shines on trubble and Tuesday (all from Hourly, Daily)
Cathy's clown, Gray and Jewels and bullets (all from Hi Fi Way)
Billy, Berlin chair and Mr Milk (all from Radio Settee)
Off the field, Who's leaving you now? and Coprolalia (all from Sound As Ever)

The marathon experience

Overall, this You Am I music marathon was a great experience. This is the second time I have done something like this (the first time being The Replacements, which inspired this post). I hope to do it again some time, with another band. But it has to be a band that doesn't have too many songs, otherwise it will take a week to get through them all. Less than 100 is a good number. Any suggestions?

Some samples

Finally, here's some samples of their work for those who haven't heard much of them. Thanks for reading!

You Am I - If We Can't Get It Together [Link Removed]
You Am I - How Much Is Enough [Link Removed]
You Am I - Weeds [Link Removed]

Appendix - Marathon set list

For the really bored ;-)

Track#	Song	Album
1	City Lights	Deliverance
2	Nifty Lil' Number Like You	Deliverance
3	Jaimme's Got a Gal	Sound As Ever
4	Trainspottin'	Sound As Ever
5	Damage	Dress Me Slowly
6	Soldiers	Hourly, Daily
7	Flag Fall $1.80	Hourly, Daily
8	Handwasher	Hi Fi Way
9	The Cream And The Crock	#4 Record
10	Who Put The Devil In You	Deliverance
11	Deliverance	Deliverance
12	Ordinary	Sound As Ever
13	Weeds	Dress Me Slowly
14	Heavy Comfort	Hourly, Daily
15	What I Dont Know About You	#4 Record
16	Doug Sahm	Dress Me Slowly
17	Come Home Wit' Me	#4 Record
18	Trike	Radio Settee
19	Junk	Radio Settee
20	Fox On The Run	Radio Settee
21	Bring Some Sun Back	Dress Me Slowly
22	Punkarella	Hi Fi Way
23	Mr Milk	Hourly, Daily
24	Moon Shines On Trubble	Hourly, Daily
25	Tuesday	Hourly, Daily
26	When You Know What You Want	Deliverance
27	Judge Roy	Dress Me Slowly
28	Billy	#4 Record
29	Ain't Gone and Open	Hi Fi Way
30	Minor Byrd	Hi Fi Way
31	Everyone's to Blame	Sound As Ever
32	Gone, Gone, Gone	Dress Me Slowly
33	Guys, Girls, Guitars	#4 Record
34	Who Takes Who Home?	Hourly, Daily
35	Words For Sadness	Deliverance
36	How Much Is Enough	Hi Fi Way
37	Satisified Mind	Dress Me Slowly
38	End O' The Line	Dress Me Slowly
39	Ken (The Mother Nature's Son)	Hi Fi Way
40	Kick A Hole In The Sky	Dress Me Slowly
41	Ribbons And Bows	Deliverance
42	Live With Me	Radio Settee
43	Dead Letter Chorus	Hourly, Daily
44	Heavy Heart	#4 Record
45	Hourly, Daily	Hourly, Daily
46	Someone Else's Home	Hourly, Daily
47	Cathy's Clown	Hi Fi Way
48	Gray	Hi Fi Way
49	Jewels And Bullets	Hi Fi Way
50	Watcha Doin' To Me	Dress Me Slowly
51	Billy	Radio Settee
52	Berlin Chair	Radio Settee
53	Mr. Milk	Radio Settee
54	Crash	Deliverance
55	'Til The Clouds Roll Away	Deliverance
56	Junk	#4 Record
57	The Applecross Wing Commander	Hi Fi Way
58	Purple Sneakers	Hi Fi Way
59	Adam's Rib	Sound As Ever
60	If We Can't Get It Together	Hourly, Daily
61	Sugar	Dress Me Slowly
62	Looking For A Kiss	Radio Settee
63	Beautiful Girl	Dress Me Slowly
64	Nuthin's Ever Gone Be The Same Again	Deliverance
65	Top Of The Morn' And Slip Of The Day	#4 Record
66	Forever and Easy	Sound As Ever
67	Plans	#4 Record
68	Rumble	#4 Record
69	Sound As Ever	Sound As Ever
70	Heavy Heart	Radio Settee
71	Baby Clothes	Hourly, Daily
72	Rosedale	Sound As Ever
73	Fifteen	#4 Record
74	...And Vandalism	#4 Record
75	The Wrong Side Now	Deliverance
76	Berlin Chair	Sound As Ever
77	Wally Raffles	Hourly, Daily
78	Stray	Hi Fi Way
79	Pizza Guy	Hi Fi Way
80	Please Don't Ask Me To Smile	Hourly, Daily
81	You Scare Me	Sound As Ever
82	Good Mornin'	Hourly, Daily
83	Get Up	Dress Me Slowly
84	She Digs Her	Hi Fi Way
85	Off the Field	Sound As Ever
86	Who's Leaving You Now?	Sound As Ever
87	Coprolalia	Sound As Ever
88	One Trick Tony	Deliverance

UPDATE: Song links removed.

Thank god you're here

Has anyone been watching the excellent new TV show Thank God You're Here? It's on Wednesday nights at 7:30pm on Channel 10. It's a (fairly) original concept from Working Dog productions, the same geniuses behind Frontline, The Panel and All-Aussie Adventures.

Basically the premise behind the show is that a comedian is dressed in a costume and sent through a door into a scene that they know nothing about. Other comedians play the supporting characters in the room and it's their job to prompt the comedian into improvisation. Some examples include: being a politician as a press conference, an executive as a pie company looking to expand their pie line-up, and a captain on a space ship.

You may be wondering what this has to do with music, but I'm getting to that. You see, the theme song to the show is Come anytime by Aussie rockers Hoodoo Gurus. This really baffles me as a choice of theme song. You see, the Gurus also have a very well-known song called What's my scene. Now wouldn't that be a better choice of song? The show is about a comedian who doesn't know the scene that they are about to walk into. Could there be a more obvious choice of theme song?

I don't think it's a legal issue; surely if they could clear one song by the Hoodoo Gurus then another song would be okay. I'm fairly sure that EMI owns the rights to all their albums now. Anyway, I'm very curious as to why they went with this song. I guess Come anytime is kind've appropriate, but What's my scene would have been just perfect.

Augie March gig [13th May 2006 @ Hi Fi Bar]

[Photo courtesy of MarkP]

I'd like to make something clear from the outset -- I don't like the Hi Fi Bar. It's cramped, smoky, poorly ventilated and not very comfortable. It's probably one of my least favourite venues in Melbourne (the Forum would get the nod as my favourite).

As much as I would love this to turn into a bitch session about my enjoyment of gigs steadily degrading over the years (getting old and having to be back in time for Matlock), I'm not going to turn this into a "woe is me" posting. Let's stick to the content of this blog, which is the music.

This was probably the 8th or 9th time I have seen these legends live, and it probably won't be the last. My gig memory isn't so great, but I think it was about 4 years ago that I saw them last -- not long after they released previous album Strange bird.

This time around they were supported by Dan Kelly and the Alpha Males, which made the gig even more attractive to me. I have Dan Kelly's album The tabloid blues and find it quite enjoyable, even if it's not one of my absolute favourites. $23 to see 2 bands I like -- it doesn't get much better value than that kiddies.

Dan Kelly's set was an enjoyable one, covering several songs from The tabloid blues, current single Drunk on election night and a few songs I hadn't heard before. The highlight of the set was All on my lonesome where one of the band members played a theremin -- a truly stunning instrument. If you've never heard one of these live, you are missing out.

Now, on to the headliners. For those of you who haven't heard anything by Augie March, dig yourself out from under that rock where you are hidden and go out and buy one of their albums now. For the uninitiated I'd recommend their debut Sunset studies. That's where I started; while their newie Moo your bloody choir is their most accessible to date, I still don't think it's the best starting point. Work your way through their catalogue and follow their progression. It won't take long before you put them right up at the top of your "absolute favourite bands" list. And this isn't just hyperbole, it's the goddamn truth.

Their gig covered a good cross-section of their last two albums, though surprisingly they only included one song from their debut album, Here comes the night (no, they didn't even play Asleep in perfection!). Nothing from their two debut EPs either. Interestingly enough, all the Strange bird cuts came in a giant clump near the end of the gig; in no particular order: the Pogues-esque stomper This train will be taking no passengers, the haunting The night is a blackbird, rocker Song in the key of chance, the folky Sunstroke house (which really worked in the live setting) and epic Brundisium.

My personal gig highlight was Glenn's solo performance of Bottle baby, a truly stunning ballad from their last album. This song really pushes Glenn's fantastic vocals to centre stage, and his live interpretation definitely did it justice. Elsewhere, Glenn dedicated The baron of sentiment to his dog (who had been shot and apparently injured by an arsehole the previous night) and current single One crowded hour opened one of their several encores showing that the 'March clearly aren't gig top-loaders.

All in all, Augie March have never let me down and this gig was no exception. These guys deserve much more commercial success, but it's their lack of popularity which also makes them what they are. As soon as they start getting over-played on the radio, it will kill them. But at the same time they deserve to have lots of money thrown their way because they are so goddamn good. Isn't it ironic?

UPDATE: Here's some samples of their work if you are unfamiliar with the genius of Augie March. I have included a ballad, a more catchy pop song, and a rockier one just so you get a feel for their sound.

Augie March - Bottle Baby [Link Removed]
Augie March - The Offer [Link Removed]
Augie March - This Train Will Be Taking No Passengers [Link Removed]

Enjoy, and please let me know what you think!

UPDATE: Song links removed.